It’s a boilerplate action-thriller you’ve seen many times that will definitely be airing on TNT in a couple of years. Rather, Hunter Killer just leaves you with some parting images of its submarine-because the movie knows that submarines are awesome. ![]() There isn’t anything new to infer from these shots it’s not some kind of mid-credits sequence implying the inception of a Submarine Cinematic Universe. Subscribe to the magazine.The end credits for the new Gerard Butler–starring submarine thriller Hunter Killer-and don’t worry, this doesn’t constitute a spoiler, if you were worried about Hunter Killer spoilers-splits the screen between the production credits and shots of the film’s primary submarine. American electro duo Tomandandy composed the soundtrack, creating a nerve-wracking atmosphere that goes perfectly with what Baudry calls “a Greek tragedy 1,600 feet under the sea.” The pace never falters and the movie is driven by a cast of French favorites, including the recently discovered François Civil, as well as Omar Sy, Reda Kateb, and Mathieu Kassovitz.Īrticle published in the September 2019 issue of France-Amérique. Work on sound effects – essential to the film – was carried out at the sound design studio at George Lucas’s Skywalker Ranch near San Francisco. I therefore decided to only draw inspiration from what I saw and felt – even though there are submarine films I love, such as Das Boot and The Hunt for Red October.” We also have a fleet of submarines, and what I observed does not correspond to what you see in U.S. Most of them are American, and yet in France we have also been confronted with issues of nuclear power and dissuasion. “I did not base my work on other submarine movies. “I wanted to draw inspiration from real life instead of adopting the codes of a preestablished genre,” says the director. A team of actual navy submariners were hired as extras on the set in order to teach the actors about the body language and habits inherent to their work. To make his movie credible, Baudry spent a month of observation on a French military submarine. ![]() While thought to be infallible, Chanteraide makes a mistake that endangers the lives of his crew and sets off a chain of events against the backdrop of nuclear dissuasion. The movie’s lead, Chanteraide (played by François Civil), is an oreille d’or tasked with decrypting underwater sounds and recognizing the noises made by propellers, the engines of military vessels, and “the wolf’s call,” the nickname given to enemy sonars. Few people know about the school, and its activities are top secret.” They are trained at a school whose name is just fantastic – the CIRA, Centre d’Interprétation et de Reconnaissance Acoustique. ![]() There are just a handful of oreilles d’or in France. “The oreille d’or is the French term for the person aboard a submarine who can identify and analyze sounds. “What struck me when I started researching the subject was that the best tool for detecting sounds in submarines is not a machine but the human ear,” he said in an interview. He also worked as a cultural counselor at the embassy of France in New York from 2010 through 2014.īaudry’s big-budget movie uses the prism of underwater acoustics to take viewers into the world of nuclear submarines. Before starting his career in cinema, he was an advisor to former French foreign affairs minister Dominique de Villepin and a co-writer for the successful graphic novel Quai d’Orsay, adapted for film by Bertrand Tavernier. “There are three types of people: Those who are alive, those who are dead, and those who are at sea.” This quote from Aristotle opens The Wolf’s Call, a wartime thriller and directing debut from Antonin Baudry.
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